Review: Legends of the Fall by Jim Harrison
Jim Harrison’s Legends of the Fall is a striking collection of three novellas—Revenge, The Man Who Gave Up His Name, and the title piece Legends of the Fall—each exploring the intense emotional and moral terrain of love, loss, and identity. With a blend of raw masculinity, lyrical prose, and existential weight, Harrison captures the wildness of both the natural world and the human spirit.
The collection’s anchor, Legends of the Fall, is a mythic family saga spanning decades, centered on the Ludlow family in early 20th-century Montana. The narrative follows three brothers—Alfred, Tristan, and Samuel—whose lives are irrevocably changed by war, death, and forbidden love. Tristan, the magnetic and tormented middle brother, embodies the novel’s central themes of freedom, grief, and self-destruction. Set against a vivid and untamed Western landscape, the story unfolds with a tragic inevitability reminiscent of classical epics. This novella was later adapted into the 1994 film of the same name, starring Brad Pitt and Anthony Hopkins, which brought Harrison’s emotionally charged narrative to a broader audience.
Revenge, the collection’s first story, is a tightly plotted tale of passion, betrayal, and violent retribution. A former Navy pilot falls for the young wife of a powerful Mexican gangster, leading to brutal consequences. The stark, cinematic quality of the story made it ripe for adaptation, and it was brought to the screen in 1990 as a film starring Kevin Costner and Madeline Stowe. Both film adaptations, though differing in tone and execution, highlight Harrison’s deep sense of character and narrative intensity.
The Man Who Gave Up His Name, the quietest of the three, shifts focus to introspection and existential drift. It follows a successful businessman who voluntarily walks away from his affluent, empty life in search of something more authentic—though undefined. It's a contemplative piece about identity, restlessness, and the American tendency to reinvent oneself.
Throughout all three novellas, Harrison demonstrates his gift for distilling big emotions into tightly constructed narratives. His prose is rugged but lyrical, often meditative, and always deeply rooted in nature and human instinct. Themes of solitude, moral ambiguity, and the price of freedom recur, grounding the stories in a uniquely American literary tradition.
Legends of the Fall is a powerful exploration of the ways people love, grieve, and lose themselves. Both tragic and transcendent, it showcases Harrison’s skill in portraying complex emotional landscapes and confirms his status as a master of the novella form. The stories linger long after the final page—epic in scope, yet deeply personal.